Miles MacClure

Miles MacClure’s (b. 1996) art practice considers, but is not limited to; a nearing invisibility of AI-generated products in physical forms, the shrinking uncanny valley, the half-life of one’s athletic career, a convergence of high and low cultural outputs, and involuntary speech acts. The objects and images he makes are pawns; moving from one end to the other, one square at a time.